Larry Jordan and Rick Barrett discuss the latest upgrades to Maxon’s range of artistic software. Rick then goes into more detail on RedShift, ZBrush and Cinema 4D, along with a discussion on the role of AI in the creative arts.
Larry Jordan and Shailendra Mathur discuss the latest features in ProTools and Media Composer with a special emphasis on using AI in media, as he emphasizes “responsible AI.”
Larry Jordan and Arie Stavchancky discuss how Dataclay tools connect databases with After Effects to automatically create customized versions of the same A.E. comp. Think of it as “mail merge for After Effects.”
Larry Jordan and Peter Barber discuss how Atomos is providing hardware that links different production gear together: camera monitors, recorders and, now, “Atomosphere,” their new camera-to-cloud technology.
Larry Jordan and Paul Lombert discuss how Hedge tools remove workflow problems throughout the post-production process. Paul explains their latest features and where each tool fits in an editing workflow.
At the recent the 2025 NAB Show in Las Vegas, I sat down with Blackmagic’s audio gurus to learn more about the Fairlight page. What I learned made a big difference in the sound of my projects. Here are three secrets that I’m now using in every project.
An illustrated look behind-the-scenes at what we did and how it worked at the 2025 NAB Show. This covers setup, operations and the things I learned. Surprisingly, it all worked really well!
I want to add watermarks to the videos I edit in DaVinci Resolve – but I couldn’t find a “watermark” option. Then, I discovered “Data Burn-in.” Here’s how it works, how to create presets and where to use them.
Larry Jordan and Kylee Peña discuss the latest features in Adobe Premiere Pro and After Effects, how editors today are forced to do more in less time, the role of AI features in Adobe video products, and the important differences between “commercially safe” and “copyrightable.”
Larry Jordan and Dan May discuss BMD’s 36 newest products, with closer looks at Pyxis cameras, ATEM switchers, the role of AI in creative software, and DaVinci Resolve 20.
Larry Jordan and Mike Cavanagh discuss the impact of AI on Hollywood, how studios will use AI to cut staff and expenses, the trend of moving media out of the cloud, and how to future-proof your career.
Larry Jordan and Sam Bogoch discuss media management, new AI-based media search features, finding the clips you need, and the trend to improve privacy by moving assets from the Cloud back onto local storage.
Adobe added more AI features into the latest release of Premiere (25.2), along with a variety of other useful features and bug fixes. Here’s what’s new
The M4 Mac Studio is the ultimate performance tool for video editing. Here are my thoughts on how to maximize performance, without breaking the bank.
I’m recording 65 video interviews at the 2025 NAB Show in Las Vegas next week. Here’s the gear we are using and why I picked it.
Be careful purchasing a USB-C to USB-C cable. If it says “Charging” on the box, it will not work to send data, connect a monitor, or even connect an iPhone. These are for charging devices only. I’ve already been burned three times. Time I learned my lesson.
Apple just released macOS 15.4. It provides a wealth of bug fixes and significant security updates, along with a few new features. Don’t upgrade quite yet. Here’s why.
Back in late, 2022, I asked readers to share how they recorded audio in their productions. Twelve editors responded with photos, gear, and descriptions. Here’s what they reported – photos, gear, and comments.
Tomorrow, Axle AI will make two important announcements for its multi-user, media asset manager: The first improves data privacy in general and the second improves finding the media you need for Mac-based video editors.
Apple released the latest version of Final Cut Pro (11.1) last week, with several helpful new features Here are the details on what they are and how they work.
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