Free Tutorials

Adobe Premiere supports displaying two or more timelines at the same time. For example, this can help when you need to compare two versions of an edit. This isn’t hard to do, but it isn’t obvious. Here’s how this works.

While Final Cut does not allow displaying more than one project in the timeline at the same time, it does make switching between projects easy. Here are some secret tips.

The latest version of Adobe Premiere Pro (v25.2.1) has a totally revamped color engine. Which is excellent, actually. But, if you are shooting iPhone video, when you load that clip into Premiere, it will look, ah, terrible. Here’s how to fix it – quick.

All the hype surrounding AI presents software developers making tools for creatives with a dilemma. How do they find the right balance between creating features that improve their tools versus replacing the editor?

One of the tasks editors are increasingly asked to do today is convert a horizontal timeline to vertical to post to social media. Premiere makes this process easy using Auto Reframe. Here’s how this works.

One of the tasks editors are increasingly asked to do today is convert a horizontal timeline to vertical to post to social media. Apple Final Cut makes it easy using Smart Conform. Here’s how.

In this conversation, Larry Jordan and Maxim Jago discuss the future of media, the impact of AI on media creation and humanity, why he chooses to be optimistic, and his suggestions on what creative media folks can do to survive and surmount the turbulence in today’s world.

Larry Jordan and Martin Greenwood discuss YoYotta’s evolution beyond its initial phase of archiving media to LTO tape. Their software now supports indexing and finding media, backups and archives, as well as LTO tape.

Larry Jordan and Jeffrey Weiss discuss Valiant Eagle Enterprises’ up-coming acquisition of sound stages from Occidental Studios in Los Angeles. Jeffrey also describes his plans for the studio, its technology, and his target market.

Larry Jordan and Craig Hering discuss how Suite Studios is able to create cloud-based media collaboration software that provides both fast performance and high security world-wide.

Larry Jordan and Derek Barrilleaux discuss how Projective’s key insight is protecting and organizing media by project, why this is important, and who their cloud-based Strawberry software is designed for.

Larry Jordan and Gary Rosen discuss Pliant’s focus on wireless intercom systems, where they are used, the challenges in building them and a look at their latest features.

Larry Jordan and Trevor Morgan discuss Open Drives’ transition into a software-only company, the need for faster network-attached storage, and the increasing trend of data “repatriation.”

Larry Jordan and Patrick Holroyd discuss their brand-new camera app for iPhone. Expanding well beyond the native Camera app, MAVIS provides camera-to-cloud directly from the iPhone, access to pro features, including 25 fps video, and a totally new interface.

Larry Jordan and Dan Maloney discuss how, in the beginning, Matrox Video meant media. Now, they are into providing media converters and connections for broadcast, IP, military, government, space — anywhere pixels need to be moved, Matrox is moving them.

In this conversation, Larry Jordan and Conner Stirling discuss how MASV has only one mission: To provide faster, more reliable, and more flexible file transfers for media. What you may not know is how much is under the hood.

Larry Jordan and Saj Jamal discuss IMAX’s long tradition of high-quality cinema experiences. New this year, IMAX announced it is branching into presenting live sports. Saj discusses their work with the NBA and how media creators can contribute.

In this conversation, Larry Jordan and Martin Vorley discuss Farmerswife’s two key production software tools: Cirkus, task-based scheduling and production management, and FarmersWife, with facility and crew scheduling, financial tracking, and reports.

Larry Jordan and Ashay Javadekar discuss Eagle Studio’s new production slate technology which automatically embeds critical media metadata into video and audio files and read automatically by NLEs.

In this conversation, Larry Jordan and Joe Ross discuss the virtual production facilities at Door G, in East Providence, RI, the gear they have, their LED volume, and how their crew can enable your next production.